In 1703, a bestselling book captured the radical conversations between the Baron de Lahontan and Kondiaronk, a Wendat (Huron) leader and philosopher, in Quebec. Their exchanges on freedom, justice, and equality shook Europe, fueling Enlightenment thought and the birth of modern democracy. This film revives those dialogues—interwoven with contemporary reflections and the story of Émilie, a rebellious 18th-century Genevan woman—revealing how Indigenous ideas helped shape democratic ideals which remain urgent today.

Located in the rainforests of Colombia, the experimental video brings practices of modern science and transitional medicine into conversation about the intelligence and metaphysics of plants and the coding of life in the language of DNA.

The website unfolds—through video clips, sounds, images and texts—my long-term exploration of the dynamic assemblages of more-than-human actors and their powerful agency in shaping contemporary political landscapes.

Collaboration with performance artist Mo Diner, telling the small formation history of atmospheric chemistry. Ranging in scale from the cosmos to the kitchen, the video undertakes an empirical inquiry into the capacity of chemical elements.

Based on research carried out by the artist and Brazilian architect Paulo Tavares in the oil-and-mining frontier in the Ecuadorian Amazon— one of the most biodiverse and mineral-rich regions on Earth, currently under pressure from the expansion of large-scale extraction activities. Guiding the work is a series of landmark legal cases that bring the forest and its indigenous leaders, lawyers, and scientists to court.

The project examines water engineering and desert development projects, and generally inquires about the hydraulic, social and chemical conditions of soil and water along the Nile. Egyptian Chemistry considers scientific attention, fieldwork and videography as reality-producing practices in this process.

Long-term video research on the North African geography of mobility both as social practice and organizing system. Sahara Chronicle is an open anthology of videos on the modalities of migration across the Sahara which introduces the migration system as an arrangement of pivotal sites, each of which having a particular function in the striving for migratory autonomy.

On the politics of mobility and containment lived by a Belorussian refugee suspended in a time-space of translocal existences. Contained Mobility is a mise en scene of a self-defined migratory effort which speaks of this suspended, translocal, highly informed and technologized subject that can presently be discerned.

The video unravels the multi-layered meaning of a geography in which the mobility and migration of women is linked to illicit economies. It traces the topographies of the global sex trade in Southeast Asia in relation to satellite media and other geographic information technologies that visualise globality.

Set in the Mexican-US border town Ciudad Juarez where the US industries have their electronic and digital equipment assembled by a gendered cheap labor force. Performing the Border  looks at the border as both a discursive and a material space produced through the gendered labor division, prostitution, the expression of female desires in the entertainment industry, and sexual violence in the public sphere.